1 00:00:00,835 --> 00:00:02,085 WOMAN: HA HA! THAT WAS FUN. 2 00:00:02,127 --> 00:00:05,714 YEAH. WHO KNEW TATE'S BAND WOULD BE SO GOOD? 3 00:00:05,756 --> 00:00:06,966 THANKS FOR WALKING ME HOME. 4 00:00:07,007 --> 00:00:08,258 IS YOUR ROOMMATE STILL OUT OF TOWN? 5 00:00:08,300 --> 00:00:10,427 OH, NICE TRY. 6 00:00:10,469 --> 00:00:11,762 I HAVE A TEST IN THE MORNING. 7 00:00:16,433 --> 00:00:18,769 DAISY: AW. THEY'RE SUCH A CUTE COUPLE. 8 00:00:18,811 --> 00:00:19,979 TOTALLY. 9 00:00:23,398 --> 00:00:25,860 BREAKS MY HEART THAT IT HAS TO END IN TRAGEDY. 10 00:00:36,203 --> 00:00:38,121 KYLE: HEY. 11 00:00:38,163 --> 00:00:39,665 REGGIE, RIGHT? 12 00:00:39,707 --> 00:00:41,041 YEAH. 13 00:00:41,082 --> 00:00:42,584 MARISOL TALKS ABOUT YOU ALL THE TIME. 14 00:00:42,626 --> 00:00:43,794 YOU'VE BEEN TOGETHER A WHILE. 15 00:00:43,836 --> 00:00:44,920 SINCE FRESHMAN YEAR. 16 00:00:44,962 --> 00:00:46,463 KYLE AND I MET IN HIGH SCHOOL. 17 00:00:46,505 --> 00:00:48,632 IT WAS LOVE AT FIRST SIGHT. 18 00:00:48,674 --> 00:00:51,385 LET ME GUESS. YOU WERE A CHEERLEADER, 19 00:00:51,426 --> 00:00:52,678 AND HE WAS THE STAR QUARTERBACK. 20 00:00:52,720 --> 00:00:53,679 HA! 21 00:00:53,721 --> 00:00:54,847 HA HA! I USED TO GET HIGH 22 00:00:54,889 --> 00:00:56,264 BEHIND METAL SHOP EVERY DAY, 23 00:00:56,306 --> 00:00:57,683 AND DAISY HONEY TRAPPED HER TEACHERS 24 00:00:57,725 --> 00:01:00,268 INTO GIVING HER As. HA HA HA! 25 00:01:00,310 --> 00:01:01,478 HOW YOU GUYS KNOW MARISOL? 26 00:01:01,520 --> 00:01:03,313 OH, WE DON'T. 27 00:01:03,355 --> 00:01:04,690 WHAT? 28 00:01:04,732 --> 00:01:05,983 LOOK. YOU SEEM COOL, 29 00:01:06,025 --> 00:01:07,985 AND IF IT WAS UP TO US, WE'D MAKE IT PAINLESS, BUT 30 00:01:08,027 --> 00:01:10,654 THIS HAS TO LOOK LIKE AN ACCIDENT. 31 00:01:15,576 --> 00:01:17,118 MAN: WHOA! 32 00:01:31,008 --> 00:01:33,010 WE COULD HAVE HIRED MOVERS, YOU KNOW? 33 00:01:33,052 --> 00:01:36,055 OH, PLEASE. I SENT MOST OF MY STUFF TO STORAGE. 34 00:01:36,095 --> 00:01:37,848 YOU COULD BE LUGGING A SOFA RIGHT NOW. 35 00:01:39,433 --> 00:01:41,518 RAW CRUNCHY KALE. 36 00:01:45,146 --> 00:01:47,566 SORRY. I REALLY WASN'T THINKING 37 00:01:47,608 --> 00:01:48,650 WHEN I WAS PACKING. 38 00:01:48,692 --> 00:01:50,027 I'LL GET RID OF THEM. 39 00:01:50,069 --> 00:01:51,445 NO. IT'S OK. FORGET IT, FORGET IT. 40 00:01:51,486 --> 00:01:53,238 I HAVEN'T HAD A DRINK IN ALMOST TWO YEARS. 41 00:01:53,280 --> 00:01:55,032 BELIEVE ME, HAVING A COUPLE OF BOTTLES IN THE APARTMENT 42 00:01:55,074 --> 00:01:56,408 ISN'T GONNA MAKE ME FALL OFF THE WAGON. 43 00:01:56,450 --> 00:01:59,411 -YOU SURE? -I'M POSITIVE. 44 00:01:59,453 --> 00:02:01,789 THIS IS YOUR HOME NOW. 45 00:02:01,830 --> 00:02:03,498 I WANT YOU TO BE HAPPY HERE. 46 00:02:03,540 --> 00:02:04,708 GOOD. 47 00:02:06,376 --> 00:02:08,295 BECAUSE I WANT TO REDO THE BEDROOM. 48 00:02:08,336 --> 00:02:10,672 HA HA HA! 49 00:02:10,714 --> 00:02:11,882 OH, BOY. 50 00:02:23,351 --> 00:02:24,603 HEY. 51 00:02:24,645 --> 00:02:26,229 HMMMM. 52 00:02:26,271 --> 00:02:27,898 -MORNING. -HI. 53 00:02:27,940 --> 00:02:29,066 YOU LOOKED SO PEACEFUL, 54 00:02:29,108 --> 00:02:30,525 I DIDN'T WANT TO WAKE YOU. 55 00:02:34,989 --> 00:02:36,197 ARE YOU LEAVING? 56 00:02:36,239 --> 00:02:39,367 YEAH. I GOT TO GO HOME AND CHANGE. 57 00:02:39,409 --> 00:02:40,995 I MADE YOU COFFEE. 58 00:02:41,036 --> 00:02:42,203 THANK YOU. 59 00:02:44,873 --> 00:02:47,375 WELL, I'LL SEE YOU IN THE OFFICE. 60 00:02:47,417 --> 00:02:48,585 OK. 61 00:02:50,378 --> 00:02:51,546 HEH. 62 00:03:05,184 --> 00:03:07,062 OHH! COME ON! 63 00:03:39,970 --> 00:03:41,763 MAX SEEMS TROUBLED. 64 00:03:43,098 --> 00:03:45,184 JUST WAIT TILL TONIGHT. 65 00:03:45,225 --> 00:03:47,019 SHE'S GONNA BE DEVASTATED. 66 00:03:49,563 --> 00:03:52,273 OOH. OH. HELLO. 67 00:03:52,315 --> 00:03:56,403 I KNOW. SO PRETTY. 68 00:03:56,444 --> 00:03:59,781 YOU THINK HER BODY'S BETTER THAN MINE? 69 00:03:59,823 --> 00:04:01,200 NO WAY. 70 00:04:14,963 --> 00:04:16,215 -HEY. -HEY. 71 00:04:16,255 --> 00:04:17,507 HEY. JUST CHECKING IN. 72 00:04:17,549 --> 00:04:19,426 UH, BIG NIGHT TONIGHT. 73 00:04:21,678 --> 00:04:23,513 YEP. 74 00:04:23,555 --> 00:04:26,391 AND I STILL DON'T GET WHY YOU NEED TO TAG ALONG. 75 00:04:26,433 --> 00:04:28,227 SEE, WE'VE BEEN DOING JUST FINE, 76 00:04:28,268 --> 00:04:29,603 AND NOW SUDDENLY, WE NEED A BABYSITTER. 77 00:04:29,644 --> 00:04:31,438 WELL, JUST DON'T THINK OF IT LIKE THAT. 78 00:04:31,479 --> 00:04:33,148 IT'S A 3-MAN JOB, ALL THAT KILLING, 79 00:04:33,190 --> 00:04:35,275 AND WE'RE A TEAM, RIGHT? 80 00:04:35,316 --> 00:04:36,860 DAISY: YEAH. OF COURSE. 81 00:04:40,321 --> 00:04:42,199 YEAH. 82 00:04:42,241 --> 00:04:44,034 OK. I'M GONNA GO MAKE THE COOKIES. 83 00:04:44,076 --> 00:04:45,869 OK. I'LL BE DOWN IN A MINUTE TO HELP. 84 00:04:53,085 --> 00:04:54,502 HE'S ON TO US. 85 00:04:54,544 --> 00:04:57,296 MAYBE... 86 00:04:57,338 --> 00:05:00,675 BUT AFTER TOMORROW... 87 00:05:00,717 --> 00:05:02,385 IT WON'T MATTER. 88 00:05:08,225 --> 00:05:10,393 HEY. YOU WANTED TO SEE ME? 89 00:05:10,435 --> 00:05:11,895 YEAH. HAVE A SEAT. 90 00:05:13,855 --> 00:05:15,482 SO WE HADN'T REALLY HAD A CHANCE TO TALK 91 00:05:15,523 --> 00:05:17,234 SINCE YOU'VE BEEN BACK WITH MARK SURFACING 92 00:05:17,276 --> 00:05:20,279 AND CLARKE'S MURDER, AND I JUST WANTED TO SEE HOW YOU WERE HOLDING UP. 93 00:05:20,320 --> 00:05:21,571 GOOD. 94 00:05:21,613 --> 00:05:22,948 YEAH. WELL, I'VE BEEN GOING OVER 95 00:05:22,990 --> 00:05:24,407 YOUR EVALUATIONS FROM OVERSEAS, 96 00:05:24,449 --> 00:05:25,575 AND THEY PAINT A DIFFERENT PICTURE. 97 00:05:25,617 --> 00:05:27,077 RECKLESS, BORDERLINE INSUBORDINATE-- 98 00:05:27,119 --> 00:05:28,662 I WAS HUNTING A MANIAC. 99 00:05:28,703 --> 00:05:30,122 I DIDN'T EXACTLY HAVE TIME TO ASK FOR PERMISSION. 100 00:05:30,164 --> 00:05:31,790 MIKE, WE ARE UNDER A MICROSCOPE HERE, 101 00:05:31,832 --> 00:05:33,458 AND I CANNOT AFFORD TO HAVING YOU CROSSING THE LINE. 102 00:05:33,500 --> 00:05:34,501 I WON'T. 103 00:05:37,004 --> 00:05:38,797 I'M NOT DENYING THAT I HAVE A PERSONAL STAKE 104 00:05:38,839 --> 00:05:40,339 IN BRINGING MARK IN, 105 00:05:40,381 --> 00:05:42,134 BUT I WILL NOT LET IT INTERFERE WITH THE JOB. 106 00:05:44,511 --> 00:05:45,553 PROMISE. 107 00:05:47,430 --> 00:05:49,099 WE MIGHT HAVE A BREAK. 108 00:05:49,141 --> 00:05:50,934 TIP LINE CALL CAME IN ON THE SKETCHES. 109 00:05:50,976 --> 00:05:53,270 AN OHIO COUPLE-- KYLE AND DAISY LOCKE. 110 00:05:53,312 --> 00:05:54,562 THE BURNER PHONE THAT CLARKE USED 111 00:05:54,604 --> 00:05:56,148 WAS PURCHASED IN OHIO. 112 00:05:56,190 --> 00:05:57,774 RIGHT. AT A STORE ABOUT AN HOUR FROM THEIR HOUSE. 113 00:05:57,816 --> 00:05:59,985 DHS HAS THEM FLYING INTO JFK 3 WEEKS AGO 114 00:06:00,027 --> 00:06:01,778 BEFORE DROPPING OFF THE GRID. 115 00:06:01,820 --> 00:06:02,904 TAKE THE JET. 116 00:06:02,946 --> 00:06:04,614 IF THESE ARE MARK'S FOLLOWERS, 117 00:06:04,656 --> 00:06:06,825 THEN THEY MIGHT HAVE LEFT A CLUE AS TO WHERE THEY'RE HIDING. 118 00:06:06,867 --> 00:06:08,910 MIKE. 119 00:06:08,952 --> 00:06:11,872 I NEED YOU HERE. TAKE MAX. 120 00:06:20,964 --> 00:06:22,924 RYAN: FBI! WE HAVE A WARRANT 121 00:06:22,966 --> 00:06:25,093 TO SEARCH HE PREMISES. 122 00:06:27,262 --> 00:06:28,555 HEY. 123 00:06:28,596 --> 00:06:29,764 CAN I KICK IT? 124 00:06:29,806 --> 00:06:31,390 I NEVER GET TO KICK IT. 125 00:06:31,432 --> 00:06:32,559 KNOCK YOURSELF OUT. 126 00:07:06,218 --> 00:07:09,096 THIS PLACE IS TOO PERFECT. 127 00:07:09,137 --> 00:07:10,722 IT'S LIKE A SHOW HOUSE. 128 00:07:10,764 --> 00:07:13,433 IF KYLE AND DAISY ARE MARK'S FOLLOWERS, 129 00:07:13,474 --> 00:07:15,060 THEY'D BE LIVING A DOUBLE LIFE, 130 00:07:15,102 --> 00:07:18,063 ONE THAT APPEARS SHINY AND CLEAN ON THE SURFACE. 131 00:07:18,105 --> 00:07:19,438 THEY WOULDN'T KEEP ANY EVIDENCE 132 00:07:19,480 --> 00:07:21,316 OF THEIR PSYCHOPATHY INSIDE THE HOUSE. 133 00:07:27,155 --> 00:07:28,656 BUT THEY WOULD WANT IT CLOSE. 134 00:09:07,255 --> 00:09:09,299 MAX: THERE'S BLOOD ON ALL THIS STUFF. 135 00:09:14,554 --> 00:09:17,224 SOUVENIRS. 136 00:09:19,934 --> 00:09:22,229 FBI! 137 00:09:22,270 --> 00:09:23,271 SHOW ME YOUR HANDS! 138 00:09:23,313 --> 00:09:24,772 -DON'T SHOOT! -WHO ARE YOU? 139 00:09:24,814 --> 00:09:26,941 EMILY...HAYS. 140 00:09:26,983 --> 00:09:28,651 I'VE BEEN DOG SITTING FOR DAISY AND KYLE 141 00:09:28,693 --> 00:09:29,944 WHILE THEY'RE AWAY. 142 00:09:31,363 --> 00:09:32,697 ARE THEY IN TROUBLE? 143 00:09:36,910 --> 00:09:38,786 ALMOST DONE, BABE. 144 00:09:38,828 --> 00:09:41,206 WE JUST NEED TO MAKE SURE MARK DOESN'T SCREW US UP TONIGHT. 145 00:09:41,248 --> 00:09:42,916 HE WON'T. 146 00:09:42,957 --> 00:09:44,792 I THINK I CAN CONTROL HIM A LITTLE BIT LONGER. 147 00:09:49,797 --> 00:09:51,341 IT'S EMILY. 148 00:09:51,383 --> 00:09:52,592 HEY. 149 00:09:52,633 --> 00:09:53,885 DAISY: IS EVERYTHING OK? 150 00:09:53,927 --> 00:09:55,512 RACHEL GOT HIT BY A CAR. 151 00:09:55,554 --> 00:09:57,264 WHAT?! HOW? 152 00:09:57,305 --> 00:09:59,140 I'M SORRY. SHE RAN OUT INTO THE STREET. 153 00:09:59,182 --> 00:10:00,850 OH, MY GOD! IS SHE DEAD? 154 00:10:00,892 --> 00:10:03,019 NO, BUT SHE'S HURT PRETTY BAD. 155 00:10:03,061 --> 00:10:06,022 UM, SHE BROKE HER LEG OR SOMETHING. 156 00:10:06,064 --> 00:10:07,274 OR SOMETHING? 157 00:10:07,315 --> 00:10:08,400 LIKE, WHERE IS SHE NOW? 158 00:10:08,442 --> 00:10:09,734 I TOOK HER TO THE VET. 159 00:10:09,776 --> 00:10:11,819 I THINK SHE'S IN SURGERY NOW. 160 00:10:11,861 --> 00:10:13,113 WAIT. WAIT. YOU THINK? 161 00:10:13,154 --> 00:10:14,531 IS SHE OR ISN'T SHE? 162 00:10:14,573 --> 00:10:15,823 YOU DIDN'T LEAVE HER THERE, DID YOU? 163 00:10:15,865 --> 00:10:17,576 NO, NO. UH, NO. I MEAN, YES. 164 00:10:17,617 --> 00:10:19,786 I, UH... 165 00:10:19,827 --> 00:10:23,457 SOMETHING'S NOT RIGHT. 166 00:10:23,498 --> 00:10:25,792 EMILY, WHERE ARE YOU? 167 00:10:25,833 --> 00:10:28,086 AT THE HOUSE. 168 00:10:28,128 --> 00:10:29,379 ARE YOU ALONE? 169 00:10:32,424 --> 00:10:34,050 YES. 170 00:10:34,092 --> 00:10:35,385 DON'T LIE TO ME. 171 00:10:35,427 --> 00:10:37,095 IS THE FBI THERE? 172 00:10:37,137 --> 00:10:40,223 PUT THEM ON THE PHONE. 173 00:10:40,265 --> 00:10:42,767 KYLE, RYAN HARDY. 174 00:10:42,809 --> 00:10:44,436 LOVE YOUR HOUSE, MAN. 175 00:10:44,478 --> 00:10:46,354 TOO BAD YOU'RE NEVER GONNA SEE IT AGAIN. 176 00:10:49,357 --> 00:10:51,443 WHAT'S THE EXPRESSION? 177 00:10:51,485 --> 00:10:54,779 HOME IS WHERE THE HEART IS? WELL, I GOT MINE RIGHT HERE IN FRONT OF ME. 178 00:10:54,821 --> 00:10:56,197 OH, MY GOD. HOW ARE WE GONNA-- 179 00:10:56,239 --> 00:10:57,656 RYAN: OH, THAT'S SWEET, BUT YOU DO KNOW 180 00:10:57,698 --> 00:10:59,242 THAT A FEDERAL DETENTION CENTER IS NOT CO-ED, 181 00:10:59,284 --> 00:11:01,328 AND THAT'S PROBABLY THE BEST CASE SCENARIO FOR THE TWO OF YOU, 182 00:11:01,369 --> 00:11:03,746 BUT HONESTLY, I THINK THIS PATH YOU'RE ON 183 00:11:03,788 --> 00:11:05,415 IS LEADING TO A CEMETERY. 184 00:11:05,457 --> 00:11:06,874 YOU THREATENING US? 185 00:11:06,916 --> 00:11:09,252 NO. TRYING TO HELP YOU DO RIGHT BY YOUR WIFE. 186 00:11:09,294 --> 00:11:11,796 THE ONLY WAY YOU CAN PROTECT HER NOW IS TO TURN YOURSELVES IN. 187 00:11:11,838 --> 00:11:13,672 YEAH? WELL, THAT'S NOT HAPPENING, 188 00:11:13,714 --> 00:11:15,091 AND WHILE YOU'RE STANDING IN MY LIVING ROOM 189 00:11:15,133 --> 00:11:17,010 PRETENDING TO GIVE A CRAP ABOUT MY WIFE, 190 00:11:17,051 --> 00:11:19,429 WE'RE GEARING UP TO HIT YOU WHERE YOU LIVE, 191 00:11:19,471 --> 00:11:21,431 YOU AND THAT HOT NIECE OF YOURS. 192 00:11:21,473 --> 00:11:22,974 SO YOU HAVE YOURSELF A NICE FLIGHT HOME. 193 00:11:23,016 --> 00:11:25,059 RYAN: KYLE. 194 00:11:25,101 --> 00:11:26,394 DAISY: KYLE! RYAN: KYLE? 195 00:11:31,274 --> 00:11:32,942 WHAT ARE WE GONNA DO? WHERE ARE WE GONNA GO? 196 00:11:32,984 --> 00:11:35,028 TO START A NEW LIFE, OK? 197 00:11:35,069 --> 00:11:37,489 WE'RE GONNA BE WHOEVER WE WANT TO BE. 198 00:11:37,531 --> 00:11:40,492 RIGHT NOW, WE HAVE NO CHOICE. 199 00:11:40,534 --> 00:11:42,160 WE HAVE TO FINISH THIS. 200 00:11:44,871 --> 00:11:46,122 CAN YOU DO THAT FOR ME? 201 00:11:48,291 --> 00:11:50,544 YEAH. FOR US. FOR US. 202 00:11:59,052 --> 00:12:01,804 GET AGENTS ON GWEN AND MY SISTER IN FLORIDA. 203 00:12:01,846 --> 00:12:04,224 HAVE THE JET STANDING READY. WE'RE ON OUR WAY! 204 00:12:25,078 --> 00:12:26,371 -HEY. -HEY. 205 00:12:26,413 --> 00:12:27,664 YOU'RE BACK. 206 00:12:27,706 --> 00:12:29,790 YEAH, AND I BROUGHT YOU SOME COOKIES. 207 00:12:29,832 --> 00:12:32,293 WELL, THE REST OF THE GUYS ARE UPSTAIRS. UM... 208 00:12:32,335 --> 00:12:35,213 GOOD BECAUSE I JUST REALLY CAME TO SEE YOU. 209 00:12:50,895 --> 00:12:52,522 SO TELL ME THE TRUTH. 210 00:12:52,564 --> 00:12:55,316 GIRLS THROW THEMSELVES AT FIREMEN, DON'T THEY? 211 00:12:55,358 --> 00:12:59,153 SHAMELESSLY, BUT, UH, NONE ARE AS PRETTY AS YOU. 212 00:13:02,073 --> 00:13:03,908 GOT HER EYE ON THIS FANCY NEW CRIB. 213 00:13:03,950 --> 00:13:06,077 THING'S LIKE THE TAJ MAHAL. 214 00:13:06,119 --> 00:13:07,495 TOLD HER WHAT'S WRONG WITH THE CRIB WE GOT? 215 00:13:07,537 --> 00:13:08,913 IT WORKED FINE FOR THE FIRST 3. 216 00:13:08,955 --> 00:13:10,123 YOU KNOW WHAT SHE SAID? 217 00:13:10,164 --> 00:13:11,499 YOU'RE NEVER GONNA BELIEVE THIS. 218 00:13:11,541 --> 00:13:12,709 SHE LOOKS ME RIGHT IN THE EYE, 219 00:13:12,751 --> 00:13:13,834 AND SHE SAYS-- 220 00:13:16,254 --> 00:13:18,548 WHAT? DON'T LEAVE ME HANGING? 221 00:13:21,217 --> 00:13:23,428 VINCE? 222 00:13:23,470 --> 00:13:24,596 AAH! 223 00:13:29,892 --> 00:13:31,519 UNH! 224 00:13:31,561 --> 00:13:33,146 WHAT THE HELL WAS THAT? 225 00:13:33,187 --> 00:13:34,355 UNH! 226 00:13:44,198 --> 00:13:46,075 UGH! UNH! 227 00:13:56,670 --> 00:13:57,878 YOU ALL RIGHT? 228 00:14:00,131 --> 00:14:01,924 THANKS. 229 00:14:01,966 --> 00:14:03,134 OK. 230 00:14:23,029 --> 00:14:24,698 MARK, TIME TO BAIL. 231 00:14:24,739 --> 00:14:25,782 GO HOME WITHOUT ME. 232 00:14:29,035 --> 00:14:30,787 I'LL MEET YOU BACK AT THE HOUSE. 233 00:15:02,402 --> 00:15:04,445 DISPATCHER ON P.A.: ENGINE COMPANY 3-6-0, RESPOND 234 00:15:04,487 --> 00:15:08,533 TO 1076 AT 101 BATTERY PLACE. 235 00:15:08,575 --> 00:15:10,577 ENGINE COMPANY 3-6-0, RESPOND 236 00:15:10,618 --> 00:15:14,247 TO 1076 AT 101 BATTERY PLACE. 237 00:15:14,288 --> 00:15:16,040 ENGINE COMPANY 3-6-0, RESPOND 238 00:15:16,082 --> 00:15:19,377 TO 1076 AT 101 BATTERY PLACE. 239 00:15:19,419 --> 00:15:22,255 MAN: WE GOT A QUESTION FOR YOU, SIR, AS TO 240 00:15:22,296 --> 00:15:23,548 WHAT'S GOING ON IN THERE. 241 00:15:23,590 --> 00:15:26,092 HEY, HEY. RIGHT OVER HERE. 242 00:15:33,892 --> 00:15:35,602 MAN ON RADIO: STAND BY, PLEASE. 243 00:15:55,747 --> 00:15:57,498 HOW MANY DEAD? 244 00:15:57,540 --> 00:15:59,292 4 CREW MEMBERS. 245 00:16:20,438 --> 00:16:22,273 YOU OK? 246 00:16:22,315 --> 00:16:24,233 I SPENT MY CHILDHOOD HERE. 247 00:16:29,948 --> 00:16:32,325 DAD LET ME COME HERE AFTER SCHOOL EVERY DAY. 248 00:16:41,083 --> 00:16:43,670 I HAVEN'T BEEN BACK SINCE HE DIED. 249 00:16:58,392 --> 00:17:00,060 COME ON. I'M TAKING YOU HOME. 250 00:17:14,158 --> 00:17:15,660 FIREFIGHTERS ARE THE HEART OF NEW YORK. 251 00:17:15,702 --> 00:17:17,286 THIS WASN'T JUST A STRIKE AGAINST RYAN AND MAX. 252 00:17:17,328 --> 00:17:18,579 THIS IS GONNA HIT THE WHOLE CITY. 253 00:17:21,708 --> 00:17:23,877 AND THEY'RE GONNA WANT TO KNOW WHY. 254 00:17:26,462 --> 00:17:27,672 WOMAN ON RADIO: POLICE RESPONDED 255 00:17:27,714 --> 00:17:28,965 WHEN THE STATION HOUSE FAILED TO ANSWER 256 00:17:29,007 --> 00:17:30,341 ITS DISPATCH CALL. 257 00:17:30,383 --> 00:17:32,760 AN FBI SPOKESMAN DECLINED FURTHER COMMENT, 258 00:17:32,802 --> 00:17:34,846 BUT AN OFF-THE-RECORD SOURCE SAID THE SCENE INSIDE 259 00:17:34,888 --> 00:17:36,180 WAS A BLOODBATH. 260 00:17:36,222 --> 00:17:37,891 SEEMS LIKE THE FIREHOUSE WENT WELL, 261 00:17:37,932 --> 00:17:39,559 SO WHY AM I SITTING HERE? 262 00:17:39,600 --> 00:17:42,061 ARE YOU KIDDING ME? OUR LIVES JUST BLEW UP. 263 00:17:42,102 --> 00:17:43,145 THEY KNOW WHO WE ARE. 264 00:17:43,187 --> 00:17:44,355 TAKE A DEEP BREATH, DAISY. 265 00:17:44,397 --> 00:17:46,024 YOU TAKE A DEEP BREATH, BITCH! 266 00:17:46,065 --> 00:17:49,027 LOOK. I UNDERSTAND YOU'RE UPSET, 267 00:17:49,068 --> 00:17:51,571 BUT I PROMISE THAT YOU WILL BE TAKEN CARE OF 268 00:17:51,612 --> 00:17:53,406 AS LONG AS YOU HOLD UP YOUR END OF THE DEAL. 269 00:17:53,447 --> 00:17:55,241 THE DEAL JUST CHANGED. 270 00:17:55,282 --> 00:17:56,659 WE NEED MONEY, PASSPORTS, 271 00:17:56,701 --> 00:17:57,994 TICKETS OUT OF THE COUNTRY, 272 00:17:58,036 --> 00:17:59,704 OR HE CAN GET SOMEBODY ELSE TO DO HIS DIRTY WORK. 273 00:17:59,746 --> 00:18:00,955 EVERYTHING WILL BE PROVIDED 274 00:18:00,997 --> 00:18:02,957 THE SECOND WE'RE FINISHED, 275 00:18:02,999 --> 00:18:06,252 BUT REMEMBER, IT HAS TO LOOK LIKE A SUICIDE. 276 00:18:46,626 --> 00:18:48,168 GWEN: HEY. 277 00:18:48,210 --> 00:18:49,963 ARE YOU OK? 278 00:18:50,004 --> 00:18:51,881 I'M FINE. 279 00:18:51,923 --> 00:18:55,259 LISTEN, UH, I HOPE MY GUYS DIDN'T SCARE YOU AT THE HOSPITAL. 280 00:18:55,301 --> 00:18:56,886 I JUST WANTED TO MAKE SURE YOU WERE SAFE. 281 00:18:56,928 --> 00:18:58,721 IT'S OK. GINA CALLED ME. 282 00:18:58,763 --> 00:19:01,724 SHE TOLD ME ABOUT THE THREATS. 283 00:19:01,766 --> 00:19:04,018 FIRST JEFF CLARKE AND NOW YOUR BROTHER'S FIREHOUSE. 284 00:19:04,060 --> 00:19:06,186 I KNOW. I'M WORRIED ABOUT MAX. 285 00:19:06,228 --> 00:19:09,189 I'M WORRIED ABOUT YOU. 286 00:19:09,231 --> 00:19:14,112 I KNOW, BUT, UH, CAN'T LET IT GET TO ME. 287 00:19:14,153 --> 00:19:17,239 GINA'S WORRIED YOU'RE NOT TELLING THE TRUTH 288 00:19:17,281 --> 00:19:20,200 ABOUT WHAT HAPPENED. 289 00:19:20,242 --> 00:19:21,744 SHE SAID THAT? 290 00:19:23,621 --> 00:19:25,665 NO. SHE DIDN'T HAVE TO. 291 00:19:28,542 --> 00:19:30,753 IS THERE SOMETHING YOU WANT TO ASK ME, DOC? 292 00:19:30,795 --> 00:19:34,674 NO, BUT THERE'S SOMETHING I WANT YOU TO KNOW. 293 00:19:34,715 --> 00:19:37,551 YOU CAN TELL ME ANYTHING. 294 00:19:37,593 --> 00:19:39,386 I CAN HANDLE IT. 295 00:19:41,055 --> 00:19:43,516 I KNOW, AND IF THERE WAS 296 00:19:43,557 --> 00:19:45,518 SOMETHING TO TELL YOU, I WOULD, 297 00:19:45,559 --> 00:19:48,521 BUT THERE'S NOT, OK? 298 00:20:11,127 --> 00:20:13,129 HEY. THANKS FOR COMING. 299 00:20:13,171 --> 00:20:14,213 YEAH, OF COURSE. 300 00:20:14,254 --> 00:20:15,422 AHEM. 301 00:20:18,176 --> 00:20:19,426 YOU WANT A DRINK? 302 00:20:21,303 --> 00:20:22,471 YEAH, SURE. 303 00:20:27,560 --> 00:20:29,979 I WAS KIND OF SURPRISED YOU CALLED ME. 304 00:20:36,736 --> 00:20:39,030 TOM WOULDN'T UNDERSTAND WHAT THIS FEELS LIKE. 305 00:20:41,074 --> 00:20:42,575 YOU'RE ANGRY. 306 00:20:42,616 --> 00:20:44,410 SO ANGRY. 307 00:20:46,704 --> 00:20:48,039 IT SCARES ME. 308 00:20:51,250 --> 00:20:53,711 MIKE: I WISH I COULD TELL YOU IT GETS EASIER. 309 00:21:02,261 --> 00:21:03,554 IT'S ALL HERE. 310 00:21:03,596 --> 00:21:05,264 SHH. THIS IS GETTING GOOD. 311 00:21:09,852 --> 00:21:12,730 MIKE: TRUST ME, IT DOESN'T HELP. 312 00:21:12,772 --> 00:21:16,400 THE FEELINGS WILL STILL BE THERE WHEN YOU WAKE UP. 313 00:21:16,442 --> 00:21:18,194 I WAS TOO QUICK TO JUDGE YOU. 314 00:21:18,236 --> 00:21:20,196 IT'S OK. 315 00:21:20,238 --> 00:21:21,948 NO, IT'S NOT. 316 00:21:21,989 --> 00:21:24,200 MIKE... 317 00:21:24,242 --> 00:21:27,536 I STILL THINK WHAT YOU DID WAS WRONG, 318 00:21:27,578 --> 00:21:29,663 BUT I SHOULD HAVE BEEN THERE. 319 00:21:32,792 --> 00:21:35,086 I SHOULD HAVE BEEN THERE TO... 320 00:21:35,128 --> 00:21:38,798 HELP YOU THROUGH IT. 321 00:21:38,839 --> 00:21:40,049 I MISS YOU. 322 00:21:47,306 --> 00:21:48,474 AHH! 323 00:22:34,728 --> 00:22:36,897 NEWS ANCHOR: WELL, ALL OF NEW YORK IS REELING THIS MORNING. 324 00:22:36,939 --> 00:22:39,859 4 FIREFIGHTERS FROM ENGINE COMPANY 360 325 00:22:39,900 --> 00:22:41,485 WERE SLAIN LAST NIGHT. 326 00:22:41,527 --> 00:22:44,864 THE FBI HAS STATED THAT ALLEGED SERIAL KILLER MARK GRAY 327 00:22:44,905 --> 00:22:48,366 AND AN OHIO COUPLE DAISY AND KYLE LOCKE 328 00:22:48,408 --> 00:22:50,286 ARE BEING SOUGHT IN CONNECTION TO THE CRIME. 329 00:22:50,328 --> 00:22:54,165 THE MOTIVE IS NOT CLEAR, BUT "HEROES DIE WHILE YOU LIE" 330 00:22:54,207 --> 00:22:57,084 WAS SCRAWLED ON THE FIREHOUSE WALL IN BLOOD, 331 00:22:57,126 --> 00:22:59,962 AN APPARENT ATTACK ON THE CREDIBILITY OF THE FBI 332 00:23:00,004 --> 00:23:02,215 AND SPECIAL AGENT RYAN HARDY. 333 00:23:02,256 --> 00:23:04,382 OH, HEY. YOU'RE UP EARLY. 334 00:23:04,424 --> 00:23:05,801 IT'S FINALLY WORKING. 335 00:23:05,843 --> 00:23:09,138 THEY'RE STARTING TO QUESTION RYAN HARDY. 336 00:23:09,180 --> 00:23:10,348 WHERE YOU GOING? 337 00:23:10,388 --> 00:23:11,640 WE'RE JUST GONNA GET SOME AIR. 338 00:23:11,682 --> 00:23:13,767 NO! THAT'S--THAT'S A BAD IDEA, GUYS. 339 00:23:13,809 --> 00:23:15,728 WE'RE THE LEAD STORY ON EVERY NEWSCAST. 340 00:23:15,769 --> 00:23:17,479 OH. WE'LL BE FINE. 341 00:23:17,521 --> 00:23:20,066 NOBODY'S LOOKING FOR A REDHEAD AND A BOSTON FAN. 342 00:23:20,107 --> 00:23:21,483 I'M SERIOUS. 343 00:23:21,525 --> 00:23:25,238 I-I-I DON'T THINK YOU SHOULD GO OUT. 344 00:23:25,279 --> 00:23:27,281 CALM DOWN, BRO. 345 00:23:27,323 --> 00:23:28,574 YOU WORRY TOO MUCH. 346 00:23:28,615 --> 00:23:30,284 WE'LL BE BACK IN A FEW, SWEETIE, OK? 347 00:23:30,326 --> 00:23:33,579 I PROMISE. CAN WE GET YOU ANYTHING? 348 00:23:33,620 --> 00:23:35,039 NO, THANKS. 349 00:23:35,081 --> 00:23:36,123 SEE YOU. 350 00:23:49,011 --> 00:23:52,098 [THINKING, AS LUKE] THEY'RE PLAYING YOU. 351 00:23:52,139 --> 00:23:54,767 I KNOW YOU WANT A FAMILY, BUT THEY'RE NOT IT. 352 00:23:54,808 --> 00:23:57,811 THE WHISPERS, THE LIES, THE EXCUSES. 353 00:23:57,853 --> 00:24:00,480 FIND OUT WHAT THEY'RE UP TO BEFORE IT'S TOO LATE. 354 00:24:16,789 --> 00:24:18,207 I'M SEARCHING TRAFFIC CAMERAS IN THE AREA 355 00:24:18,249 --> 00:24:19,541 AROUND THE CALL. 356 00:24:23,087 --> 00:24:25,463 RYAN. 357 00:24:25,505 --> 00:24:27,507 THE PRESS IS GOING CRAZY ABOUT THE FIREHOUSE. 358 00:24:27,549 --> 00:24:29,051 THEY MADE THE CONNECTION BETWEEN YOU AND YOUR BROTHER. 359 00:24:29,093 --> 00:24:30,844 THEY'RE BLAMING YOU FOR THE ATTACK. 360 00:24:30,886 --> 00:24:32,138 THE MAYOR WANTS AN INVESTIGATION, 361 00:24:32,179 --> 00:24:33,639 DIRECTOR FRANKLIN'S ASKING QUESTIONS-- 362 00:24:33,680 --> 00:24:34,848 NOTHING I CAN DO ABOUT THAT. 363 00:24:34,890 --> 00:24:36,434 WHAT I CAN DO IS MAKE SURE WE HAVE 364 00:24:36,474 --> 00:24:38,185 EVERY AVAILABLE RESOURCE WORKING ON A LOCATION. 365 00:24:38,227 --> 00:24:39,437 TRUST ME. 366 00:24:39,477 --> 00:24:41,605 WE FIND THESE GUYS, THE QUESTIONS STOP. 367 00:24:41,647 --> 00:24:43,149 I MIGHT HAVE SOMETHING. 368 00:24:43,190 --> 00:24:44,775 TRAFFIC CAMERA CAPTURED A COUPLE 369 00:24:44,817 --> 00:24:46,693 EXITING A BROWNSTONE ON WELLINGTON. 370 00:24:52,408 --> 00:24:53,533 THAT'S THEM. 371 00:24:53,575 --> 00:24:55,369 535 WELLINGTON IN CLINTON HILL. 372 00:24:55,411 --> 00:24:56,703 MENDEZ: ALL RIGHT. GREAT. EVERYBODY LISTEN UP. 373 00:24:56,745 --> 00:24:58,747 MOBILIZE HRT AND ESU 374 00:24:58,789 --> 00:25:01,083 TO 535 WELLINGTON. 375 00:25:24,690 --> 00:25:27,651 MMM. GOOD MORNING. 376 00:25:27,693 --> 00:25:28,861 HEY. 377 00:25:31,238 --> 00:25:33,324 YOU OK? 378 00:25:33,366 --> 00:25:36,410 UM, Y--NOT--NO. NOT REALLY. 379 00:25:36,452 --> 00:25:39,621 UM, THIS IS JUST-- I DON'T DO THIS. 380 00:25:39,663 --> 00:25:43,459 THIS ISN'T ME. 381 00:25:43,501 --> 00:25:44,835 YOU CALLED ME FOR A REASON. 382 00:25:44,877 --> 00:25:46,628 APPARENTLY THE WRONG REASON. 383 00:25:50,590 --> 00:25:52,218 MIKE: ARE WE REALLY GONNA DISCUSS THIS BEFORE BREAKFAST? 384 00:25:52,259 --> 00:25:53,677 BECAUSE I'M STARVING. 385 00:25:53,719 --> 00:25:54,928 MAX: BREAKFAST? MIKE: YEAH. 386 00:25:54,970 --> 00:25:56,638 BREAKFAST IS DEFINITELY NOT HAPPENING. 387 00:25:56,680 --> 00:25:58,516 OK. COFFEE. YOU CAN'T KICK ME OUT WITHOUT COFFEE. 388 00:25:58,556 --> 00:26:01,435 THAT WOULD JUST BE R--RUDE. 389 00:26:01,477 --> 00:26:02,686 OK. 390 00:26:14,614 --> 00:26:17,993 TOM DESERVES BETTER THAN THIS. 391 00:26:18,035 --> 00:26:19,661 MAYBE TOM DESERVES THE TRUTH. 392 00:26:19,703 --> 00:26:22,248 THE TRUTH. 393 00:26:22,289 --> 00:26:24,917 THE TRUTH IS IN A MOMENT OF WEAKNESS 394 00:26:24,958 --> 00:26:26,460 I SLEPT WITH YOU, AND I REALLY SHOULDN'T HAVE. 395 00:26:26,502 --> 00:26:29,922 THIS WASN'T A MISTAKE. 396 00:26:29,963 --> 00:26:35,094 THIS, YOU AND ME, IS REAL. 397 00:26:35,135 --> 00:26:38,222 YOU KNOW IT. I KNOW IT. 398 00:26:49,900 --> 00:26:52,278 OH, GOD. 399 00:26:52,319 --> 00:26:53,695 -HEY. -MORNING. 400 00:26:53,737 --> 00:26:55,822 TOM. AHEM. 401 00:26:55,864 --> 00:26:57,241 CAN I CALL YOU RIGHT BACK? 402 00:26:57,283 --> 00:26:58,534 WE FOUND MARK'S SAFE HOUSE. 403 00:26:58,576 --> 00:27:00,411 YOU'RE KIDDING. HOW? 404 00:27:00,453 --> 00:27:02,037 DOES IT MATTER? GEAR UP. 405 00:27:02,079 --> 00:27:03,705 WE'RE ROLLING THERE NOW. 406 00:27:06,166 --> 00:27:07,334 THEY FOUND MARK. 407 00:27:07,376 --> 00:27:09,420 535 WELLINGTON AVE. IN CLINTON HILL. 408 00:27:09,462 --> 00:27:11,046 NO. NO. 409 00:27:11,088 --> 00:27:12,214 MAX: LET'S GO. 410 00:27:12,256 --> 00:27:13,299 NO! 411 00:27:22,433 --> 00:27:23,809 MAN: LET'S GO. 412 00:27:28,355 --> 00:27:29,356 MOVE, MOVE! 413 00:27:30,983 --> 00:27:33,068 GO, GO! 414 00:27:33,110 --> 00:27:34,320 BREAK IT, BREAK IT! 415 00:27:35,779 --> 00:27:38,031 MOVE IN! 416 00:27:38,073 --> 00:27:39,116 GO! 417 00:27:41,410 --> 00:27:42,578 TAKE HIM UPSTAIRS. 418 00:27:44,204 --> 00:27:45,663 MAN: CALL IT OUT. WHAT DO YOU GOT? 419 00:27:50,710 --> 00:27:51,795 MAN: CLEAR! 420 00:28:01,305 --> 00:28:05,392 ALL UNITS, STAY. 421 00:28:05,434 --> 00:28:07,394 COME ON. LET'S GO. 422 00:28:09,771 --> 00:28:10,897 CLEAR! 423 00:28:13,691 --> 00:28:14,818 CLEAR! 424 00:28:43,805 --> 00:28:45,891 MAN: CLEAR! 425 00:28:45,932 --> 00:28:47,059 CLEAR! 426 00:28:48,352 --> 00:28:50,770 CLEAR! 427 00:28:50,812 --> 00:28:52,022 CLEAR! 428 00:29:35,608 --> 00:29:38,860 DAISY: DOESN'T IT JUST BREAK YOUR HEART? 429 00:29:38,902 --> 00:29:41,530 EVERYTHING IS SO HEIGHTENED WHEN YOU'RE THAT YOUNG. 430 00:29:44,366 --> 00:29:47,160 THEY'RE NOT THAT YOUNG. 431 00:29:47,202 --> 00:29:48,662 WE WERE MARRIED AT THAT AGE. 432 00:29:50,997 --> 00:29:52,708 WITH A BABY ON THE WAY. 433 00:30:02,468 --> 00:30:03,802 DO YOU EVER WONDER WHERE YOU'D BE 434 00:30:03,843 --> 00:30:07,431 IF--IF WE HADN'T MET? 435 00:30:07,473 --> 00:30:10,684 NOPE, BUT I KNOW YOU'D BE FAT 436 00:30:10,726 --> 00:30:12,394 WITH 4 KIDS, LIVING IN A TRAILER PARK. 437 00:30:12,436 --> 00:30:14,146 HA HA HA! 438 00:30:14,187 --> 00:30:17,274 YEAH, YOU'RE PROBABLY RIGHT. 439 00:30:17,316 --> 00:30:19,735 HEH HEH. 440 00:30:19,777 --> 00:30:21,194 YOU SHOWED ME THINGS ABOUT MYSELF 441 00:30:21,236 --> 00:30:24,281 THAT I WOULD NEVER HAVE KNOWN. 442 00:30:24,323 --> 00:30:27,075 YOU EVER REGRET IT, 443 00:30:27,117 --> 00:30:29,328 WISH YOU'D HAD A NORMAL LIFE? 444 00:30:29,369 --> 00:30:32,872 WITHOUT YOU? NEVER. 445 00:30:32,914 --> 00:30:34,374 NORMAL'S BORING. 446 00:30:43,258 --> 00:30:46,136 WE'RE GONNA BE OK, DAISY. 447 00:30:46,178 --> 00:30:47,471 I KNOW. 448 00:30:52,643 --> 00:30:56,021 IT'S MARK. IT'S THE THIRD TIME HE'S CALLED. 449 00:30:56,062 --> 00:30:57,314 WE'RE BUSY. 450 00:31:02,277 --> 00:31:07,407 MARK: COME ON. COME ON. PICK UP. PICK UP! 451 00:31:07,449 --> 00:31:08,742 DAISY ON PHONE: HI. YOU'VE REACHED DAISY. 452 00:31:08,784 --> 00:31:10,035 DAMN IT! 453 00:31:16,124 --> 00:31:17,334 [AS LUKE] TOLD YOU, BRO. 454 00:31:17,376 --> 00:31:20,754 THOSE TWO HAVE THEIR OWN AGENDA. 455 00:31:20,796 --> 00:31:23,799 [AS MARK] NO. THEY'VE BEEN HELPING ME. 456 00:31:23,841 --> 00:31:25,759 [AS LUKE] THEY SET UP CAMERAS IN MAX'S APARTMENT. 457 00:31:25,801 --> 00:31:28,721 DID THEY TELL YOU ABOUT THAT? 458 00:31:28,762 --> 00:31:30,514 [AS MARK] NO. 459 00:31:30,556 --> 00:31:31,557 [AS LUKE] WHAT? WHAT? YOU THINK 460 00:31:31,598 --> 00:31:32,766 THIS IS A COINCIDENCE 461 00:31:32,808 --> 00:31:33,975 THAT THEY CLEAR OUT THIS MORNING 462 00:31:34,017 --> 00:31:35,060 FIRST THING, CRACK OF DAWN, 463 00:31:35,101 --> 00:31:36,478 YOU'RE LEFT BEHIND? 464 00:31:36,520 --> 00:31:37,979 IT'S OBVIOUS. THEY TIPPED OFF THE FBI, 465 00:31:38,021 --> 00:31:39,523 PROBABLY RATTING YOU OUT RIGHT NOW 466 00:31:39,565 --> 00:31:41,775 JUST TO SAVE THEIR OWN ASSES. 467 00:31:41,817 --> 00:31:42,984 [AS MARK] YOU SHUT UP! 468 00:31:46,405 --> 00:31:47,823 [THINKING, AS LUKE] ALL RIGHT. 469 00:31:47,865 --> 00:31:49,366 YOU GOT TO STOP WORRYING ABOUT THEM, 470 00:31:49,408 --> 00:31:51,117 START TAKING CARE OF YOURSELF. 471 00:32:02,087 --> 00:32:04,172 THAT'S DISTURBING. 472 00:32:04,214 --> 00:32:06,258 MARK CAN'T ACCEPT THAT HIS OTHER HALF, 473 00:32:06,299 --> 00:32:08,761 HIS STRONGER HALF, IS GONE, 474 00:32:08,802 --> 00:32:10,011 AND HE'S DISSEMBLING, 475 00:32:10,053 --> 00:32:11,847 WHICH MAKES HIM EVEN MORE DANGEROUS. 476 00:32:11,889 --> 00:32:13,432 FOUND TWO BODIES IN THE BASEMENT, 477 00:32:13,473 --> 00:32:15,058 A LOCAL REPORTER AND HIS PRODUCER. 478 00:32:15,100 --> 00:32:17,018 THEY WENT MISSING YESTERDAY. 479 00:32:17,060 --> 00:32:19,145 OH. THAT'S NOT GONNA SOLVE OUR MEDIA PROBLEMS. 480 00:32:19,187 --> 00:32:20,522 MIKE: MARK? 481 00:32:20,564 --> 00:32:22,232 RYAN: HE WAS HERE. WE'RE NOT FAR BEHIND. 482 00:32:22,274 --> 00:32:23,609 ALL RIGHT. I WANT YOU TO SEARCH THIS PLACE 483 00:32:23,650 --> 00:32:24,818 FROM ROOFTOP TO CELLAR. 484 00:32:24,860 --> 00:32:26,027 PULL THE DEEDS AND THE RENTAL RECORDS, 485 00:32:26,069 --> 00:32:27,237 ANYTHING THAT CAN GIVE US A LEAD 486 00:32:27,279 --> 00:32:28,822 AS TO THEIR WHEREABOUTS. 487 00:32:31,074 --> 00:32:32,868 YOU OK? 488 00:32:32,910 --> 00:32:35,078 YEAH. 489 00:32:35,120 --> 00:32:37,289 TRIED TO CALL YOU LAST NIGHT. 490 00:32:37,330 --> 00:32:40,626 UH, I'M--I TOOK A SLEEPING PILL. 491 00:32:40,667 --> 00:32:44,337 WELL, IF ANYONE DESERVES A GOOD NIGHT'S REST. 492 00:32:44,379 --> 00:32:45,380 HEH. 493 00:32:48,467 --> 00:32:50,385 WELL, BETTER GET TO IT. 494 00:33:31,217 --> 00:33:33,178 THESE, UH, LOOK LIKE INSTRUCTIONS 495 00:33:33,219 --> 00:33:34,888 FOR THE FIREHOUSE ATTACK, 496 00:33:34,930 --> 00:33:36,890 SCHEDULES FOR THE MEN, BLUEPRINTS. 497 00:33:36,932 --> 00:33:38,684 WHERE'D YOU FIND THIS? 498 00:33:38,725 --> 00:33:41,728 IT WAS ON THE BED WITH THE REST OF THE STUFF. WHY? 499 00:33:41,770 --> 00:33:43,647 IT'S FROM A GO BOX. 500 00:33:43,689 --> 00:33:45,231 THEY MUST HAVE TAKEN THAT FROM THE FIREHOUSE. 501 00:33:45,273 --> 00:33:46,483 GO BOX? 502 00:33:46,525 --> 00:33:47,693 FIREHOUSES KEEP THEM FOR ALL THE MAJOR 503 00:33:47,734 --> 00:33:49,110 STRUCTURES IN THEIR DISTRICT. 504 00:33:49,152 --> 00:33:50,696 IT CONTAINS EVERYTHING A FIRST RESPONDER NEEDS 505 00:33:50,737 --> 00:33:52,197 FOR AN EMERGENCY INCURSION-- 506 00:33:52,238 --> 00:33:53,782 KEY CODES, PASS KEYS, MAPS. 507 00:33:53,824 --> 00:33:55,074 "TOW C."? 508 00:33:57,494 --> 00:33:58,954 TOWNSEND COLLEGE. 509 00:34:01,331 --> 00:34:03,959 HEY. "9:30 A.M., WELLS HALL. 510 00:34:04,001 --> 00:34:06,336 11 A.M., COCHRAN, 2:30 POWELL"? 511 00:34:06,378 --> 00:34:07,838 IT'S A CLASS SCHEDULE. 512 00:34:07,880 --> 00:34:10,173 DOESN'T MATCH WITH ANY OF THE MURDERS. 513 00:34:10,215 --> 00:34:12,049 THAT'S BECAUSE THEY HAVEN'T HIT IT YET. 514 00:34:13,802 --> 00:34:15,094 IT'S THEIR NEXT TARGET. 515 00:34:22,185 --> 00:34:24,563 -HI. -HOW DID YOU, UH-- 516 00:34:24,604 --> 00:34:25,605 WHO ARE YOU? 517 00:34:25,647 --> 00:34:28,065 FRIENDS OF REGGIE'S. 518 00:34:28,107 --> 00:34:30,193 WE WERE WITH HIM WHEN HE DIED. 519 00:34:36,616 --> 00:34:37,743 MAX: THERE ARE 4 STUDENTS 520 00:34:37,784 --> 00:34:38,952 WITH THE EXACT SAME SCHEDULES 521 00:34:38,994 --> 00:34:40,370 BUT ONLY ONE WITH THE INITIALS M.M.-- 522 00:34:40,412 --> 00:34:42,831 MARISOL MASTERS, SOPHOMORE ENGLISH MAJOR. 523 00:34:42,873 --> 00:34:45,751 HER BOYFRIEND WAS HIT AND KILLED BY A TRUCK YESTERDAY. 524 00:34:45,792 --> 00:34:47,419 THAT CAN'T BE A COINCIDENCE. 525 00:34:47,460 --> 00:34:48,712 ALERT CAMPUS POLICE. GET A PHONE NUMBER 526 00:34:48,754 --> 00:34:50,505 AND AN ADDRESS FROM THE REGISTRAR. 527 00:34:50,547 --> 00:34:52,215 DAISY: OK. HOW IS THIS? 528 00:34:52,257 --> 00:34:55,969 "REGGIE WAS MY ONE TRUE LOVE, MY SOUL MATE. 529 00:34:56,011 --> 00:34:59,347 WITHOUT HIM, MY LIFE HAS NO MEANING." 530 00:34:59,389 --> 00:35:01,433 PURE POETRY, BABE. 531 00:35:06,145 --> 00:35:08,899 I KNOW HOW YOU FEEL. 532 00:35:08,941 --> 00:35:12,652 I MEAN, LIFE WITHOUT MY MAN 533 00:35:12,694 --> 00:35:14,529 JUST WOULDN'T BE WORTH LIVING. 534 00:35:20,077 --> 00:35:21,787 MARISOL'S NOT ANSWERING HER PHONE. 535 00:35:21,828 --> 00:35:23,705 A CLASSMATE TOLD CAMPUS POLICE THAT SHE SKIPPED CLASS 536 00:35:23,747 --> 00:35:25,082 TO GO TO HER BOYFRIEND'S MEMORIAL, 537 00:35:25,123 --> 00:35:26,541 THEN HEADED BACK TO THE DORM. 538 00:35:26,583 --> 00:35:28,001 I'VE GOT THE ADDRESS. 539 00:35:28,043 --> 00:35:29,377 WHY THE HELL ARE THEY TARGETING THIS GIRL? 540 00:35:31,129 --> 00:35:32,798 THERE. A VERY HONEST 541 00:35:32,839 --> 00:35:35,050 AND EMOTIONAL EXPRESSION OF GRIEF. 542 00:35:35,092 --> 00:35:36,927 I'M SURE YOUR FAMILY AND FRIENDS 543 00:35:36,969 --> 00:35:39,429 WILL UNDERSTAND YOUR DECISION TO END THE PAIN. 544 00:35:40,847 --> 00:35:43,725 OK. NOW PICK A COLOR. 545 00:35:49,147 --> 00:35:50,649 OH, COME ON. DON'T BE A SPOIL SPORT. 546 00:35:53,318 --> 00:35:55,988 OK. SEEMS A LITTLE OVERWHELMED. 547 00:35:56,029 --> 00:35:58,949 I'LL PICK. UM... 548 00:35:58,991 --> 00:36:00,659 PINK. 549 00:36:00,700 --> 00:36:02,201 P-I-N-K. 550 00:36:02,243 --> 00:36:04,913 UM... 551 00:36:04,955 --> 00:36:06,039 3. 552 00:36:06,081 --> 00:36:07,749 OK. I REALLY HOPE IT'S HANGING. 553 00:36:09,751 --> 00:36:11,044 JUMP OFF THE ROOF. 554 00:36:11,086 --> 00:36:12,712 OK. THAT'S GOOD, TOO. 555 00:36:12,754 --> 00:36:14,840 NO, NO! 556 00:36:14,881 --> 00:36:15,966 NO, NO! 557 00:36:21,805 --> 00:36:24,390 OK, MAX. YOU'RE WITH HRT. 558 00:36:24,432 --> 00:36:25,725 MIKE AND I WILL TAKE THE FRONT. 559 00:36:39,405 --> 00:36:40,657 MIKE. 560 00:36:42,325 --> 00:36:43,618 STAIRWAY. 561 00:36:43,660 --> 00:36:44,744 TAKE THE OTHER SIDE. 562 00:36:44,786 --> 00:36:46,371 WE'LL FLANK THEM. 563 00:36:46,412 --> 00:36:47,622 HEY. COVER THE STAIRWELLS. 564 00:36:47,664 --> 00:36:48,832 WE'RE HEADED UP. 565 00:37:11,021 --> 00:37:12,189 UNH! 566 00:37:15,692 --> 00:37:18,070 AGH! OHH! OHH! 567 00:37:20,072 --> 00:37:22,824 HELP! HELP! 568 00:37:22,866 --> 00:37:23,950 HELP! 569 00:37:30,957 --> 00:37:33,710 FBI! LET HER GO! 570 00:37:33,752 --> 00:37:35,879 IT'S OVER, KYLE! 571 00:37:35,921 --> 00:37:37,589 BE SMART! 572 00:37:40,341 --> 00:37:42,301 MIKE: HELP! SOMEBODY! 573 00:37:42,343 --> 00:37:43,845 SOMEBODY, HELP ME! 574 00:37:43,887 --> 00:37:45,972 UNH. HELP! 575 00:37:47,933 --> 00:37:50,060 HELP! 576 00:37:50,102 --> 00:37:52,145 HELP! HELP ME! 577 00:37:54,814 --> 00:37:55,899 HELP! 578 00:37:59,360 --> 00:38:01,113 MAX: HERE! WE GOT YOU! 579 00:38:02,864 --> 00:38:04,157 UGH. 580 00:38:08,369 --> 00:38:10,163 DON'T DO IT! 581 00:38:10,205 --> 00:38:11,748 DON'T DO IT, KYLE! 582 00:38:11,790 --> 00:38:13,374 UNH! 583 00:38:13,416 --> 00:38:14,626 UGH! 584 00:38:31,517 --> 00:38:34,187 I NEED EMTs UP ON THE ROOF NOW. 585 00:38:34,229 --> 00:38:35,688 KYLE WENT DOWN A TRASH CHUTE 586 00:38:35,730 --> 00:38:36,982 ON THE SOUTH SIDE OF THE BUILDING. 587 00:38:37,023 --> 00:38:39,109 GET GUYS DOWN THERE NOW! 588 00:38:39,151 --> 00:38:41,820 OK. HANG IN THERE. 589 00:38:41,861 --> 00:38:43,071 YOU'RE GONNA BE OK. 590 00:38:47,867 --> 00:38:49,035 DAISY: OH, BABY. KYLE. 591 00:38:49,077 --> 00:38:50,453 I CAN'T BELIEVE THAT BITCH SHOT ME. 592 00:38:50,495 --> 00:38:51,830 OH, MY GOD, KYLE. WHAT SHOULD I DO? 593 00:38:51,871 --> 00:38:53,498 THERE'S SO MUCH BLOOD. 594 00:38:53,539 --> 00:38:54,582 WHAT SHOULD I DO? 595 00:38:54,624 --> 00:38:56,960 HEY, HEY. 596 00:38:57,002 --> 00:38:58,253 I'M GONNA BE FINE. 597 00:38:59,712 --> 00:39:00,880 -UNH! -OH, GOD. I'M SORRY. 598 00:39:00,922 --> 00:39:03,967 I'M SORRY, I'M SORRY. 599 00:39:04,009 --> 00:39:07,012 I HAVE TO PUT PRESSURE ON IT, OK? 600 00:39:07,053 --> 00:39:08,930 KYLE? NO. 601 00:39:08,972 --> 00:39:10,056 KYLE, NO! 602 00:39:10,098 --> 00:39:12,725 KYLE, KYLE! NO! 603 00:39:12,767 --> 00:39:14,519 OH, MY GOD. STAY WITH ME. 604 00:39:14,560 --> 00:39:17,314 KYLE. OK. I'M GONNA GET HELP. 605 00:39:17,355 --> 00:39:18,690 PLEASE PICK UP. PLEASE. 606 00:39:18,731 --> 00:39:20,650 PLEASE. 607 00:39:20,692 --> 00:39:22,652 IT'S JULIANA. LEAVE A MESSAGE, AND I'LL CALL YOU BACK. 608 00:39:22,694 --> 00:39:25,322 DAMN IT! KYLE! 609 00:39:25,363 --> 00:39:26,405 OH, GOD. 610 00:39:29,575 --> 00:39:30,785 OK. 611 00:39:39,752 --> 00:39:41,087 I'VE BEEN CALLING YOU ALL DAY. 612 00:39:41,129 --> 00:39:42,380 WHERE THE HELL ARE YOU? 613 00:39:42,421 --> 00:39:44,341 I TRIED TO GO HOME, BUT THERE'S COPS 614 00:39:44,382 --> 00:39:45,508 ALL OVER THE BROWNSTONE. 615 00:39:45,550 --> 00:39:46,718 YEAH. I KIND OF NOTICED. 616 00:39:46,759 --> 00:39:48,094 YOU SOLD ME OUT, DIDN'T YOU? 617 00:39:48,136 --> 00:39:49,679 HAVE YOU COMPLETELY LOST YOUR MIND? 618 00:39:49,721 --> 00:39:51,306 WHAT KIND OF A DEAL IS THE FBI GONNA MAKE 619 00:39:51,348 --> 00:39:53,099 WITH SOMEONE WHO PUT AN AGENT IN A BOX? 620 00:39:53,141 --> 00:39:54,934 THEN HOW DID THEY FIND OUT ABOUT THE APARTMENT? 621 00:39:54,976 --> 00:39:57,603 I DON'T KNOW, MARK, OK, 622 00:39:57,645 --> 00:40:00,899 BUT KYLE'S BEEN SHOT, 623 00:40:00,940 --> 00:40:02,108 AND I NEED TO GET HIM SOMEWHERE SAFE 624 00:40:02,150 --> 00:40:04,236 WHERE I CAN TAKE CARE OF HIM. 625 00:40:04,277 --> 00:40:05,486 [THINKING, AS LUKE] DON'T DO IT. 626 00:40:05,528 --> 00:40:06,779 DAISY: PLEASE. YOU SAVED MY LIFE. 627 00:40:06,821 --> 00:40:08,656 WHY WOULD I TURN ON YOU? 628 00:40:10,367 --> 00:40:12,994 PLEASE. KYLE'S BLEEDING. 629 00:40:13,036 --> 00:40:15,538 MARK, I CAN'T LOSE HIM. 630 00:40:15,580 --> 00:40:17,249 PLEASE HELP ME, PLEASE. 631 00:40:17,290 --> 00:40:18,583 [THINKING, AS LUKE] DON'T DO IT. 632 00:40:18,624 --> 00:40:20,710 PLEASE. PLEASE. I NEED YOUR HELP. 633 00:40:20,752 --> 00:40:22,045 YEAH. OK, OK, OK. 634 00:40:22,087 --> 00:40:23,713 I'LL TEXT YOU AN ADDRESS. 635 00:40:23,755 --> 00:40:24,881 OH, GOD. THANK YOU. 636 00:40:27,259 --> 00:40:28,551 CAMPUS IS ON LOCKDOWN. 637 00:40:28,593 --> 00:40:30,636 NO SIGNS OF DAISY OR KYLE. 638 00:40:30,678 --> 00:40:31,721 MARISOL GONNA MAKE IT? 639 00:40:31,763 --> 00:40:33,056 THEY THINK SO. 640 00:40:33,098 --> 00:40:34,724 I DON'T GET IT. WHAT DOES A COLLEGE SOPHOMORE HAVE 641 00:40:34,766 --> 00:40:36,351 TO DO WITH ANY OF THIS? 642 00:40:36,393 --> 00:40:37,810 WELL, THEY HIT THE FIREHOUSE, 643 00:40:37,852 --> 00:40:39,729 TRIED TO MAKE US THINK IT WAS AN EMOTIONAL ATTACK ON US, 644 00:40:39,771 --> 00:40:41,856 BUT REALLY, IT WAS JUST A WAY TO GET TO HER. 645 00:40:41,898 --> 00:40:44,025 SHE'S GOT TO BE IMPORTANT TO THEM. 646 00:40:44,067 --> 00:40:46,278 30 MINUTES AGO, MARISOL POSTED A SUICIDE NOTE 647 00:40:46,319 --> 00:40:47,946 TO HER FACEBOOK PAGE. 648 00:40:47,987 --> 00:40:51,908 COULDN'T LIVE WITH THE LOSS OF HER BOYFRIEND. 649 00:40:51,950 --> 00:40:53,743 THEY WERE GONNA FORCE HER OFF THE ROOF, 650 00:40:53,785 --> 00:40:55,745 MAKE IT LOOK LIKE A SUICIDE. 651 00:40:55,787 --> 00:40:56,955 NONE OF THIS FITS THEIR M.O. 652 00:40:56,996 --> 00:40:58,164 I MEAN, FIRST THEY KILL HER BOYFRIEND, 653 00:40:58,206 --> 00:40:59,374 MAKE IT LOOK LIKE AN ACCIDENT. 654 00:40:59,416 --> 00:41:00,666 THEN THEY TRY TO STAGE HER SUICIDE, 655 00:41:00,708 --> 00:41:01,960 BUT WHERE'S THE STATEMENT IN THAT? 656 00:41:02,001 --> 00:41:03,169 WHAT DO THEY HAVE TO GAIN? 657 00:41:03,211 --> 00:41:05,713 WAIT A MINUTE. I KNOW THIS WOMAN. 658 00:41:05,755 --> 00:41:07,548 THIS IS JUDGE WALLACE. 659 00:41:07,590 --> 00:41:09,634 WELL, WHO'S SHE TO MARISOL? 660 00:41:09,675 --> 00:41:10,718 HER MOTHER. 661 00:41:12,345 --> 00:41:13,763 AND THE PRESIDING JUDGE 662 00:41:13,805 --> 00:41:15,514 IN THE ARTHUR STRAUSS MURDER TRIAL, 663 00:41:15,556 --> 00:41:17,267 WHICH STARTS TOMORROW. 664 00:41:20,937 --> 00:41:23,189 MIKE: OK. WHAT DOES MARK HAVE TO DO WITH THAT? 665 00:41:23,231 --> 00:41:25,400 RYAN: NOTHING 666 00:41:25,442 --> 00:41:28,694 OR EVERYTHING. 667 00:41:28,736 --> 00:41:31,030 WHAT IF THE TABLEAU MURDERS, 668 00:41:31,072 --> 00:41:33,283 CLARKE'S CONFESSION, THE FIREHOUSE, 669 00:41:33,325 --> 00:41:36,619 WHAT IF IT WASN'T JUST ABOUT MARK'S REVENGE? 670 00:41:36,661 --> 00:41:38,330 THEY'VE BEEN CALLING US LIARS. 671 00:41:38,371 --> 00:41:40,957 DISCREDITING THE INTEGRITY OF THE FBI. 672 00:41:40,999 --> 00:41:43,709 SO THAT NO JUDGE OR JURY WOULD BELIEVE US. 673 00:41:43,751 --> 00:41:45,128 MAX: THINK THIS ATTACK ON MARISOL 674 00:41:45,170 --> 00:41:47,339 IS AN ATTEMPT TO COERCE HER MOTHER? 675 00:41:47,380 --> 00:41:49,299 MIKE: OR SEAT A MORE FAVORABLE JUDGE 676 00:41:49,341 --> 00:41:52,302 WHILE THE GRIEVING JUDGE WALLACE TAKES LEAVE. 677 00:41:52,344 --> 00:41:53,845 THIS IS ABOUT THE TRIAL. 678 00:41:57,432 --> 00:41:58,850 THIS IS ABOUT STRAUSS. 679 00:42:03,688 --> 00:42:05,648 WE'VE HAD A SETBACK.